Sunday, 3 November 2024

PAST PERFECT AND PRESENT INDEFINITE

 

PAST PERFECT AND PRESENT INDEFINITE

(On starvation deaths in Kalahandhi and Kashipur in Odisha)

 

The art of living, sharing, caring for all

And working together for a common goal

Is the greatest art mankind must learn,

If at all for its misdeeds it cares to mourn.

 

Love for freedom, national pride,

Sense of loss in an ancient war,

The burden of the past and tradition,

And the animation of the sublime on stones

May help produce the space-shuttle poetry

Of some private pleasure, five-star agony

Or even in building up some info-tech story.

 

Awards and honours mean much for the elite;

But the lifestyle of the common people,

The pain and strain they endure

Is a nation’s true identity.

 

Why is it that we have plenty of people

Who have passions for poetry and politics,

But none to show us some definite direction?

 

When achievements reduce to be personal,

Failure remains to be the collective responsibility

Of a people for sheer debate that ends verbal.

One wonders at those unknown soldiers

Who had given us a taste of victory

In their fight to death, eternally present

As undying resistance to force,

For history to remember,

Instrumental in its way to peace.

 

Though age makes us weary,

Makes us sad, self-centered and lonely,

The lines of Gopabandhu,

Who wept for the poor, worked for them

And wrote for them, still haunt our memory.

 

Not in years, months,

Not in days, nor hours of pleasure;

Man lives in his work,

And the work, his only measure.”

 

                           II

 

While the coastal belt bears nature’s brunt

Having to experience cyclones and flood,

The anguished west has a hungry earth to tread.

 

Our ambitious appetite

For name, fame and creativity

Helps in no way to end poverty.

 

In this land of temples and gods

People are, as it were, too great and godly

To think of the wretched of the earth,

Who, in their opinion, are destined to die

Starvation deaths or eating mango kernel,

Cursed to make only babies to rock.

 

They seduced and stole their god,

They stole all their woods

And the little they had for food.

The dignity of living as humans they denied them,

For which a mother now sells even her child

Compelled to pay so great a price for a handful of rice.

 

In our incompatible feudal minds, aids,

How much big, doesn’t add up to our needs

As it all disappears in the black hole

Of our recklessness and greed.

 

Our big-brother-show of promise

Like the rock edict mockery of peace

Ebbs with the dark waters of dying waves.

 

                                    III

 

It is not for our lack of courage

Or skill that we suffer.

We too had our greener days.

The malady is elsewhere.

 

When strength becomes weakness,

The burden of achievement

Turns out to be the cause of misery.

 

Others built a sound sustenance

And left their pride to God;

We made God our face

And installed pride in the head instead.

 

Idle worshippers of cult figures

And alien to commitment and work culture,

Most of us love to depend on others.

Money comes and goes

And we get used to our woes

Spending the little we have or get in pleasing

Gods and godheads much in a community feast.

The larger part of a loan

 Which otherwise could have assuaged

The suffering, is found finished and gone

In celebration of some sorrow or a little gain

To please all gods in the neighborhood.

 

                               IV

 

The big and beautiful adorns the Odissi sky

With religious fervor even in sensual joy.

So, there is this dumb dereliction,

This deletion of the basic needs

Which shy away in the dominant presence

Of the big black God of total absence.

 

The Radha Krishna myth takes new dimensions,

New depths in its passionate presentation.

The miserable, rejoicing their transformation

In the night, strip to their hells at dawn.

 

The primeval theme of love, sex, war,

Possession and pride gives us a good ride.

 

The thought of a lost war and the struggle

Compensates the loss and abuse.

It contemplates the sluggishness

If it doesn’t exhaust means by much use

Like a militant outfit, left with little to offer the people

It makes suffer, wasting more on weapons and the hit.

Pillars only don’t ensure peace

If the ground beneath is hollow,

Where each and every one growls

For a bigger share of the kill.

 

If past perfect is our treasure,

Can’t our present be progressive

And food for all be our pleasure?   

 

                       V

 

When caste ridden power politics

Aims at establishing superiority,

The concept of a welfare state

And democracy doesn’t work.

 

Since the deprived,

Most often victims of false prestige,

Feel contented with a gift of lies

And stick to image worship

In their love for noble lineage

Which, they think, can deliver the good,

A humble origin doesn’t fit into

The scheme of the things to begin with.

 

Thus we sit and wait

In the deluxe suite of our insight

Looking for some poetic truth

And invest on our intellectual exercise,

Aching for some new surprise, new image,

Good enough to please, conceal and confuse.

 

                            VI

 

The desperate dreams

And defiance of a simple folk

That has always loved

To have a life of its own

Free from subjugation,

The beautiful landscape,

The golden beach

And the mystic silence

Of the poetic network

Of magnificent temples

Come to my mind and I smile

When they ask me,

“How do your people write

So good poetry?”

 

But when I am asked

About starvation deaths

At my place

Or a mother selling her child

For a handful of rice

Even after fifty-four years

Of Independence,

I feel miserable myself

Groping for words.

 

 (From my forthcoming poetry collection 'THE BITTER CANTO'.

Written in 2001, this poem was first published in Rock Pebbles in 2006.)


Copyright: Bipin Patsani                                                                                             

 

 

 

 

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